{"id":34,"date":"2014-01-29T23:32:32","date_gmt":"2014-01-29T21:32:32","guid":{"rendered":"http:\/\/localhost\/www.schwabe-instrument.eu\/relaunch\/?page_id=7"},"modified":"2021-11-30T17:56:23","modified_gmt":"2021-11-30T15:56:23","slug":"werkstatt","status":"publish","type":"page","link":"https:\/\/www.schwabe-instrument.eu\/en\/werkstatt\/","title":{"rendered":"Manufacture"},"content":{"rendered":"<p>Choosing the right timber is crucial for the instrument. For me as an instrument-maker, using wood cut at the right time and allowed to dry naturally is a constant source of delight.<\/p>\n<p>Every single part of each new instrument is made by us in our workshop. This guarantees that the case, soundboard and keyboard of each instrument are a perfect match.<\/p>\n<p>I welcome suggestions from my clients regarding any alterations they may require. Aspects such as range, transposition, profiling, colouring and the number of legs are all finalised before production begins.<\/p>\n<h3>Curriculum vitae<\/h3>\n<p>1984 &#8211; 1986 Apprentice joiner and cabinetmaker<br \/>\n1986 &#8211; 1988 Apprentice harpsichord-builder under Renate Ammer in Leipzig<br \/>\n1989 Opened own workshop building harpsichords<br \/>\n1990 Matthias Arens joins the workshopChoosing the right timber is crucial for the instrument. For me as an instrument-maker, using wood cut at the right time and allowed to dry naturally is a constant source of delight.<\/p>\n<p>Every single part of each new instrument is made by us in our workshop. This guarantees that the case, soundboard and keyboard of each instrument are a perfect match.<\/p>\n<p>I welcome suggestions from my clients regarding any alterations they may require. Aspects such as range, transposition, profiling, colouring and the number of legs are all finalised before production begins.<\/p>\n<h3>Curriculum vitae<\/h3>\n<p>1984 &#8211; 1986 Apprentice joiner and cabinetmaker<br \/>\n1986 &#8211; 1988 Apprentice harpsichord-builder under Renate Ammer in Leipzig<br \/>\n1989 Opened own workshop building harpsichords<br \/>\n1990 Matthias Arens joins the workshop<\/p>","protected":false},"excerpt":{"rendered":"<p>Choosing the right timber is crucial for the instrument. For me as an instrument-maker, using wood cut at the right time and allowed to dry naturally is a constant source of delight. Every single part of each new instrument is made by us in our workshop. This guarantees that the case, soundboard and keyboard of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-34","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/pages\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/comments?post=34"}],"version-history":[{"count":21,"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/pages\/34\/revisions"}],"predecessor-version":[{"id":4591,"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/pages\/34\/revisions\/4591"}],"wp:attachment":[{"href":"https:\/\/www.schwabe-instrument.eu\/en\/wp-json\/wp\/v2\/media?parent=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}